If Your Home Isn’t Haunted…

maybe I can help.

Framed Portrait

Framed Portrait

I currently have a particular interest in bringing out and showing off to the world the evil characters within us. I am not afraid of the dark. In fact I love to explore it.

If you’d like an evil looking portrait to bring a bit of Feng Shui balance with all the pretty things in your home you can get an 8×12 inch print to frame yourself from as little as £50. As long as you desire to have a wall hanging picture the session is free and you don’t have to buy anything at all if you don’t like the results. Not a bad offer eh?

If you make a booking before the end of May 2010 you will get 25% off whatever you buy.

The session can take place any time over the next three months.

The session can take place in your own home, on location, or secretly at my studio. You can call or text me in confidence on 07549 224079 or email me at bernie at imageconjurer.com

76/365 Sunny Day

sun on wall

sun on wall

The blinds weren’t completely drawn and a little bit of sunshine made it through into my world today. Never mind. I’ll be making sure the blinds are fully closed tomorrow in case it happens again.

By Request

I was going to write “by popular demand” but I didn’t think one email would justify such language. But I did get one request so that is a good enough excuse so I am hereby posting the “evil” Gary Byrne which I have now come to prefer anyway.

the evil gary byrne

the evil gary byrne

75/365 Gary Byrne

Gary Byrne

Gary Byrne

Sometimes being a geezer and a photographer is tough. As a photographer I think this guy is really good looking but as a geezer it just isn’t something I would openly admit. Such is life. Mr Byrne came to ARTS House today to meet someone. While he was waiting I grabbed about three minutes with him in the studio. We made eight shots. Any one of those eight could have been the chosen one. In the end I narrowed it down to two; the one above where he looks kind of like a good guy and another where he most certainly looked like a bad guy. It was a toss up. I chose this one mainly because I usually would have chosen the other.

So what of the 365 you ask. Well it’s back. Sort of. I like the project far too much to just drop it but I’m not going to continue it with subjects that aren’t really my bag. So if I don’t get to shoot someone or something that I want to shoot then I won’t post one for that day. It is still a 365 project but it might take 465 days to complete.

The project has a lot of value to me personally but it was becoming too expensive to maintain. It has already achieved a purpose I didn’t have for it which is to show me where my main interests are. These happily coincide with what I want to trade. But there have been many days where I was shooting stuff for the project that was not the kind of thing I want to trade. So I had some choices to make. I didn’t want to be posting stuff on my main website that I didn’t want to be shooting professionally. And I didn’t really want to start posting the 365 stuff somewhere else after having started it here. So the above is a workable compromise for me.

Might As Well Face It

Louise

Louise

Had a fun session with Louise Taylor on her roof last night. Here are some of the results.

Louise Taylor 2

Louise Taylor 2

When she started getting cold we went inside.

Louise Taylor 3

Louise Taylor 3

Not because she was cold but because it is a lot of work to retouch goosebumps.

Louise Taylor 4

Louise Taylor 4

She did her own makeup and wardrobe too.

What’s happened to the 365? Not sure yet. It is currently suspended while I catch up on some more urgent work. But I also have to figure out if it belongs on this site.

Did You Know

I haven’t made a post for four days? And I’m in the midst of a 365?

Not really a whole lot to say about it. Computer crashed late Monday or early Tuesday. Lost a bunch of data and a good part of a project I was working on. Been working to get back the lost stuff.

Normal transmission will be resumed shortly.

74/365 Pushing It

pushing it

Pushing It

Alex Pownall doing a push up from a session today shot at the gym at the East Grinstead Rugby Club. Obvious really. Don’t know why I bothered with an explanation.

73/365 It’s Him Again

blue2

Blue 2

Continuing my “blue period” we have this offering made after watching half of Sin City. Shot with three strobes two of which were gelled with blue and red. The third was really only used for firing one of the others that was slaved.  I’m seriously impressed with how cool I can make the old rubber face look.

72/365 The Lemonade Cookie

lemonade cookie

The Lemonade Cookie

A cookie (or cookaloris to give it it’s full name) is something placed between a light source and the surface that light is intended to fall on. It’s purpose is to make the light more interesting by introducing shapes for the light to pass through. The above pic is a demonstration using a glass of lemonade. Usually the lemonade would not be included in the picture.

The above is intended to eliminate any snarky remarks about little things and little minds.

Note also that this lemonade is Shweppes Lemonade. It probably wouldn’t be as good with a cheaper brand.

71/365 Petroula

Petroula

Petroula

Did a headshot session today for Petroula Kaneti-Dimmer. The above was my favourite. Just got through editing.

Headshot sessions are interesting but I have discovered they are not the same as portrait sessions and the end results might be very different. With headshots my own likes and dislikes don’t come into it. They are made for a specific audience the actor wants to communicate with. My job is to help the actor communicate and to keep myself out of the way as much as possible. So I don’t do anything that would in any way render the sitter unrecognisable! The only processing is contrast and colour tweaks and a black and white conversion which is the accpeted form in this country.

With portrait sessions it is me who is communicating something about the subject to the viewer rather than just being a relay point. Portrait sessions are more fun for me and usually the sitter too. With headshots there is a certain amount of wondering what will work for the casting directors who aren’t there to consult.

With portraits I please myself first and hopefully but not necessarily the sitter too. But we are both there and can discuss the point and look at the current results and see if we are heading in the right direction. I want my sitters to like my work but it isn’t absolutely vital because if they chose me to shoot them they have a pretty good idea of what they’ll be getting. And if they didn’t choose me then I chose them and so may be only shooting for me anyway.

It is true I will not make any money if the sitter hates the work but I’m finding that if I consult the sitter more than myself we both end up with results that are less interesting.

The reason I like this one is that it is closer to a portrait than the others I shot today. And by that I mean that it shows Petroula in a way I would like to show Petroula.

I wonder if this post made any sense to anyone other than me….

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